BLEED is a large work that encompasses O’Connor’s love of complexity and layering in dance. It is the culminating work of a two-year project during which he constructed three other pieces, Secret Mary, poem and Sister, all from very different source material and each with an entirely different cast. He then collapsed these into this fourth work, simultaneously remembering and forgetting the previous dances. All 11 of the magical performers from the other works are here yet the movement material is gone. Ghosts of the other dances resonate through the new work and shape its form but they are subterranean and exert their pressure on this new construction from the caves of memory.