An investigation into the nature of investigation, with the unsolved murder of a pop icon at its center.

It’s the 1970s and Fereydoun Farrokhzad’s star is blazing bright – he’s a sex symbol and chart-topping pop singer – imagine an Iranian Tom Jones. A decade on and he’s living in political exile in Germany, though still performing to sold-out audiences in Europe. On 7 August 1992, he was found brutally murdered. The neighbors said his dogs had been barking for two nights.

Things Hidden Since the Foundation of the World is a wild ride down the rabbit hole of Wikipedia and murder mystery podcasts, sorting through the tangle of information available online in a post-colonial world to reveal the limits of search engines in solving a decades-old cold case.

Artists

The Javaad Alipoor Company, co-produced with National Theatre of Parramatta

Presented with On the Boards, PICA and UCLA

Written by Javaad Alipoor with Chris Thorpe

Co-created by Natalie Diddams and Javaad Alipoor

Dramaturgy Chris Thorpe

Directed by Javaad Alipoor

Performed by Javaad Alipoor and Asha Reid with Raam Emami, together with on-stage musician Me-Lee Hay

Set, costume and lighting design by Benjamin Brockman

Composer, Music Director and Live Musician Me-Lee Hay

With music by Raam Emami

Sound design by Simon McCorry

Video Associate Barret Hodgson

Performed by Raam Emami, Javaad Alipoor, Asha Reid and Me-Lee Hay

Projection and video design by Limbic Cinema - TBC

Production Management The Production Family - TBC

Company Stage Manager Dylan Tate

Additional footage filmed by Tate Creations

Further Research

A nine point manifesto driving the company

“Iran’s Long Reach? How Dissident Showman Fereydoun Farrokhzad Was Murdered Far From Home”

Documentary by Radio Free Europe

Podcast by Javaad Alipoor and Tanya Vital

The Colour of Our Politics is a new podcast from Javaad Alipoor and Tanya Vital about the history of anti-racism in the UK, what’s going on today and what might happen in the future.Javaad and Tanya aren’t pretending to have all the answers – but they do know some pretty interesting people. Combining this with rigorous discussion, the duo will be joined by special expert guests to illuminate how anti-racism in the UK today has been shaped by a long history of activism and resistance.

“Can the Subaltern Speak?”

Essay by Gayatri Chakravorty Spivak

Spivak's essay transformed the analysis of colonialism through an eloquent and uncompromising argument that affirmed the contemporary relevance of Marxism while using deconstructionist methods to explore the international division of labor and capitalism's "worlding" of the world. Spivak's essay hones in on the historical and ideological factors that obstruct the possibility of being heard for those who inhabit the periphery. It is a probing interrogation of what it means to have political subjectivity, to be able to access the state, and to suffer the burden of difference in a capitalist system that promises equality yet withholds it at every turn.

“The arts world sees working-class people as a problem to be solved”

Article by Javaad Alipoor

Published in The Guardian | June 5, 2018

“Publicly funded art is still dominated by a privileged elite who fail to engage the majority of the population.”

“We need to fundamentally change the makeup of who is creating and watching work”

by University of Michigan Musical Society | November 17, 2023

Book by Ervand Abrahamian

Emphasizing the interaction between political organizations and social forces, Ervand Abrahamian discusses Iranian society and politics during the period between the Constitutional Revolution of 1905-1909 and the Islamic Revolution of 1977-1979. Presented here is a study of the emergence of horizontal divisions, or socio-economic classes, in a country with strong vertical divisions based on ethnicity, religious ideology, and regional particularism.

Photos by Philip Erbacher and Chris Payne. Illustrated Design by Adam Gregory York.

This performance was curated by Rachel Cook during her tenure at On the Boards.

Things Hidden Since the Foundation of the World

West Coast Premiere

September 12-14, 2024
Thursday, September 12 | 8pm¹
Friday, September 13 | 8pm²
Saturday, September 14 | 8pm

¹Covid Safe(r) Seating available
²Talkback facilitated by Parmida Ziaei

About the Artists

Javaad Alipoor(he/him)

Javaad Alipoor

he/him

Photo by Pies Allardyce

Javaad Alipoor (he/him) is a British-Iranian, writer, performer, and Artistic Director of The Javaad Alipoor Company. He wrote, co-directed, and performed in The Believers Are But Brothers as an international touring show, and wrote and performed in the TV adaptation for BBC Four. Its follow-up, Rich Kids: A History of Shopping Malls, co-created with Kirsty Housley, written for the stage and for its digital world tour, which included a run at the prestigious Sundance Film Festival, won his second Fringe First Award. Together with Chris Thorpe he wrote and directed the tri-lingual theater production, Made of Mannheim, which had its world premiere with Nationaltheater Mannheim and Theaterhaus G7. His most recent work Things Hidden Since the Foundation of the World opened to five-star reviews and sold out audiences at Battersea Arts Centre and HOME, Manchester.

Javaad was Resident Associate Director at Sheffield Theatres from 2017-18 where he directed a new version of One Flew Over the Cuckoo's Nest. Prior to this, he was Associate Director at Bradford’s Theatre in the Mill from 2015 to 2017. His writing about politics and culture has been featured in The Guardian, The Independent, and The Stage. His plays have been published by Oberon and Nick Hern, and his poetry by Art in Usual Places.

Instagram

Website

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Raam Emami / King Raam(he/him)

Raam Emami / King Raam

he/him

Raam Emami (he/him), aka **
King Raam**, is an Iranian musician, writer, actor and podcast host. He started his musical career in the undergrounds of Tehran. With a great deal of international press behind his band, including features in the New York Times, MTV, Billboard, NPR, CNN, VICE, NME , and Vanity Fair, Raam paved the way for a new generation of aspiring underground Iranian artists.

In January 2018, Raam's father,  Kavous Seyed Emami, a prominent environmentalist, was arrested in Tehran under false charges of espionage. Two weeks after his arrest he was killed in Iran’s notorious Evin Prison. Raam and his family attempted to flee Iran, but the authorities detained his mother and confiscated her passport. Raam and his brother were allowed to leave, but his mother was held hostage in Iran for 582 days.

Besides his live shows with his band, Raam has also channeled his creative energy into a one-man storytelling performance called “Departure” about his family's experience and his father's legacy, woven together with his music. He also has a podcast in Persian called "Masti o Rasty," since its inception in 2020 the show has had over 40 million streams.

Instagram

Website

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Me-Lee Hay(she/her)

Me-Lee Hay

she/her

Photo by Emma Rowan-Kelly

Me-Lee Hay (she/her) composes for film, TV, dance and theatre. A Malaysian-born Chinese-Australian, she has had works shown across multiple platforms including Netflix, Amazon Prime, Tubi, commercial TV channels and mainstream cinemas, plus international planetariums and film festivals including Cannes and Sitges.

Off the screen, Me-Lee has been commissioned by leading arts companies of Australia such as Sydney Dance Company’s PPY, Sydney Theatre Company as well as performing at the Sydney Opera House. Me-Lee received her debut nomination at the Sydney Theatre Awards in 2024 for Best Composer and Sound Designer in Independent Theatre (Face of Jizo)as well as her first AACTA (Australian Academy of Cinema and Television Arts) nomination for Best Original Score in Film in the same year (Suka).

Classically trained in piano and cello, Me-Lee is a graduate of the Australian Film Television Radio School (AFTRS), an Associate Composer Representative of the Australian Music Centre and was the Vice President of the Australian Guild of Screen Composers for 4 years. She composed for her first ballet in 2024 entitled GOLD presented at Parramatta Riverside Theatre (Sydney), a magical children's ballet set in the Australian bush during the historic gold rush era.

Instagram

Website

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Asha Reid(she/her)

Asha Reid

she/her

Photo by Michael Shelford

Asha Reid (she/her)

Theater includes: - One Jewish Boy (Trafalgar Studios), Snowflakes (Old Red Lion), Pufferfish (Vault Festival), One Jewish Boy (Old Red Lion), Graceful (RADA Studio/Rosemary Branch Theatre), Inside Pussy Riot (Les Enfants Terribles), Biggest Tarantino Fan in the World (The Vaults Festival/Arcola), Edinburgh Test (Pleasance/Old Red Lion), Stay Happy Keep Smiling (Jermyn Street Theatre), I Found Joy in a Hopeless Place (Hackney Showrooms), Money Womb (Theatre 503), A Third (Finborough Theatre), Scarlet (Southwark Playhouse), Electra (Old Vic), Cross Purpose (Crypt Gallery), Medea (The London Theatre), The Hate Play (Box Clever Theatre), Miniaturists: The Interval (Arcola), Scarlet (Bush), The Tempest (Watford Palace), Lord of the Flies (Broadway Theatre), The Magpies The Wolves (Tristan Bates/Pleasance), Hacked (Theatre 503), The Beggars Opera (Regent’s Park Open Air).

Film includes: - This Is Gay (BBC), FEMME Feature Film, FEMME Short Film – (BIFA Winner & BAFTA Nominated), Horror Vacui, Into Me See, Face The Camera & Smile, House Hold, Gemma’s Wedding, Puzzled, White Collar, Weird Love. Television: - The Syndicate (BBC1), Nutritiously Nicola (London Live).

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CREDITS

The Javaad Alipoor Company, co-produced with National Theatre of Parramatta
Presented with On the Boards, PICA and UCLA
Written by Javaad Alipoor with Chris Thorpe
Co-created by Natalie Diddams and Javaad Alipoor
Dramaturgy Chris Thorpe
Directed by Javaad Alipoor
Performed by Javaad Alipoor and Asha Reid with Raam Emami, together with on-stage musician Me-Lee Hay
Set, costume and lighting design by Benjamin Brockman
Composer, Music Director and Live Musician Me-Lee Hay
With music by Raam Emami
Sound design by Simon McCorry
Video Associate Barret Hodgson
Performed by Raam Emami, Javaad Alipoor, Asha Reid and Me-Lee Hay
Projection and video design by Limbic Cinema | TBC
Production Management The Production Family | TBC
Company Stage Manager Dylan Tate
Additional footage filmed by Tate Creations