
Andrew Schneider
N O W I S W H E N W E A R E (the stars)
May 16 - 19, 2024
Walking in total darkness to immersion in a theatrical cosmos, viewers explore traces of themselves in starlight, the universe, and those who have been here before us.
Season

N O W I S W H E N W E A R E (the stars)
May 16 - 19, 2024
Walking in total darkness to immersion in a theatrical cosmos, viewers explore traces of themselves in starlight, the universe, and those who have been here before us.


Our Country
March 21 - 23, 2024
Inspired by Sophocles’ Antigone, artist Annie Saunders sets off on an autobiographical journey, using recreations of recorded conversations with her outlaw brother.

A.I.M by Kyle Abraham
February 21, 2024
Led by acclaimed Choreographer and Artistic Director Kyle Abraham’s innovative vision, the work of A.I.M is galvanized by Black culture and history and grounded in a conglomeration of unique perspectives.

The History of Korean Western Theatre
February 1 - 3, 2024
The History of Korean Western Theatre is an intelligent documentary theatre performance in which Jaha Koo interweaves personal stories with historical, political and sociological facts.

The Forever Project
January 18 - 21, 2024
Piacenza’s personal and artistic movement archives are deconstructed and exaggerated with dark humor through a satirical ecofeminism lens.

All Time Stop Now
November 30 - December 2, 2023
Framed by recorded conversations between Petrisko and her best friend, Experimental Opera All Time Stop Now is a contemplation on listening, impermanence, and kinship.

Make Banana Cry
November 9 - 11, 2023
Make Banana Cry is a critical and destabilizing dance performance that questions Asian stereotypes while examining the transmission of cultural identity.

To Gather
October 5 - 7, 19 - 21, 2023
In the spirit of “gathering (n. / v.), To Gather supports and elevates the work of artists who use movement to excavate the rich stories that exist within the Black and Brown dancing body.

[siccer]
September 28 - 30, 2023
Through a dance performance and accompanying video installation, Will Rawls invites us to consider the ways in which Black bodies are relentlessly documented, distorted, and circulated in the media.